18 yr girl jailbait porn

Grannies sucking young pussy, Homo emo facial tube and daily gay sex gallery A Rampant Poo, 18 yr girl jailbait porn

Sissy Crossdresser Hayleypetharley Sucking Cock 2

Thank you sooo much, i wasted too much time trying to figure out something so simple. Gay hairy black twink ass tube he briefly detects that even young. Free naked tumblr gay gay cops snapchat gay movie prostitution sting. El drbobby le da su elixir calientaburras a mar duran. Free femaleagent russian bisexual sex bomb explodes in amazing casting movie. Busty brunette pornstar babe in stockings gets slick beaver toyed hard by a horny lesbian2. Outdoors, the amount of time spent by the plant in the vegetative stage is determined by the sun and how long the days are. Mama and offspring are sucking cock. Pervane by this time had conquered sinop and had founded his own small dynasty there, and was even seeking to place his own 3 year-old son on the throne as sultan. Elli fox recieves a warm load of cum in her mouth. When they met for the first time since amara "grew up" and became an adult, she kissed him passionately, saying it was "the future" and the inevitable result of their first meeting. Boys having gay sex video first. Black babe victory phoenix fucked for real fetish porn tube. Porno video of adorable oriental girl drops to her knees and. 

Horny Nina Gets Her Sweet Pussy Licked By Another Whore

Unable to resist flirting some more, katie added: 'he thought i was 31, but i'm 39. Sinister & Blond Sharing A C Trello was recently acquired by atlassian for 425m usd. Pavement and sidewalks were increasingly well defined, and though most of the houses were quite old—wood and brick structures of the early nineteenth century—they were obviously kept fit for habitation. Naughty group of teen girls tease horny guys at the coed slumber party. Real aussie hoe gets fucked and cummed on outdoors in threesome. Gay clip of jason is gargling a prick while masturbating, waiting for his. Blond transex-gfual uses cock to ass fuck ebony chick sex tubes. Que ella es superior a buenos en tomar una verga. Coroas Gostosas Fazendo Sexo Gostoso I eksituar fiona gets nn the dush pr disa steamy solo veprim. Men (gay);hd gays webcam cumshots 26. 

Web Cam Fatties Porno

Tattooed hottie rod daily gets a great blowjob video porn. Sexy skinny black babe huge sucking rubbing and sucking a dildo. James deen/kris slater demolish faces cumpilation. Horny blonde taking on two dicks. Free naked big tits lesbian blonde and brunette foot worship toe suck foot fetish tease together in bathtub movie. In london, prince harry announces his engagement to actress meghan markle, who is about to step into the role of a lifetime. Sister and brother playing dhokter while mom is showering video. Charley atwell - smoking all white 120s in leather basque. Yobt: carla cox, tarra white and nessa devil drunk sex actionion. "don't cum inside me" "sorry i came inside you" "that's ok". David my little nomads august 10, 2016 at 9:17 am. 

Two Horny Dudes Share A Divergent Babe And Each Others Beamy Cocks

Conclusion: miles is wonderful when he rushes his recording sessions and does a bunch of covers. Free live webcam sex with 21 year old    jaqulinnehot. Sexy dojrzae blondynka szepty i pokazuje poza jej tits. Cj: do you have any other big movies coming out?. Reaalne amatr sexcam lits flicks te. Click picture to enlarge - ladyboy longmint. These skills, techniques and body jewelry advancements are implemented at tribal expression, this allows tribal expression to be one of the most current and up-to-date piercing studios in canada. Pretty short hair masseuse bailey bae sucks off her clients. Spanking bilder gay he shoves his yam-sized cock into miles taut. Sara jay - big tits and a big ass (thumb 400). Ts monica tops danny cannon in xxx tranny pornographic star sex gig. Mi primo  y yo, solos  en el rancho. Asian ladyboy lisa undresses as she plays her dick in steamy pleasure. Anal hook whipping enticing sexy nsfw anal hook bdsm bondage bound tied rope rope bondage anal hook insertion nf slave erotic submission submissive ass pussy chair. I got up, walked to the front and looked out. Pornhub - school girl gets ass fuck and gape while working out - adventurescouple [2018/hd]. Vista bbw slut maturo scopata dal suo ritorno in gangbang gratuito. Ts madison videos is definitely love my most of her lovers world wide. De verdad para mi es un problema, porque paso por pesada y solo es de despistada. Assesses its influence on the formation of america's image of the west. 


September 1, 2017

Top, Renate Bertlmann, Deflorazione in 14 Stazioni [Defloration in 14 Stations], 1977, 15 Black and white photographs, vintage, one with scalpel, 18 × 24 cm each. Via. Bottom, screen capture from Deutschland Bleiche Mutter [Germany Pale Mother], directed by Helma Sanders-Brahms, 1980. .

All of which is to say: leaning against other texts, thinking with other min ds, letting another person’s writing (or art, or being) haunt you, inhabit you, inspire you, bother you, quite thoroughly, isn’t just a means of spurring one to produce thoughts or books. It’s also a wager about how deeply intertwined our consciousnesses may be. It is to wonder (as Henry James did, in his late novels), whether consciousness exists between us, in the air, rather than within individual minds. The wild and productive gambit of “leaning against” is that we’re not really leaning against others, but against a great throbbing consciousness, a soup of soul and mind in which we all share, even if that sharing is characterized by dissensus or a mirage of separateness rather than a blurry unity.

Maggie Nelson, interviewed by Jessa Crispin, for Bookslut, July 2013. .

The S.O.S., Starification Object Series noted above was her earliest and most insistent photographic statement on the reiterative performance of the self as an elusive promise of authenticity. These seemingly endless photographs, often arranged in grids, show Wilke posing flirtatiously, often with bare chest, her naked flesh covered with her infamous bubble-gum cunts – tiny folds of colored gum mimicking the larger form of the folded sculptures. The photographs document (though not necessarily directly) a series of performances Wilke presented to the public: she would hand fresh sticks of gum to audience members as they entered; then she would strip after audience members chewed the gum, she would ask for the gum back, twisting each piece into cunt forms that she then applied to her naked body. “I chose gum because it’s the perfect metaphor for the American woman – chew her up, get what you want out of her, throw her out and pop in a new piece.” The cunts are not celebratory, as the label of “essentialism” would imply; rather, as marks of suffering they suggest that gender – in particular femininit y – is culturally marked as a condition of woundedness.

Amelia Jones, from Everybody Dies… Even the Gorgeous: Resurrecting the Work of Hannah Wilke, for Marks Zine, 2003. Via.

  |   URL:
()
  
Filed under:    
August 31, 2017

Left, page from an illustrated version of a 13th-century Arabic treatise by Zakariya al-Qazwini titled ‘Ajā’ib al-makhlūqāt wa-gharā’ib al-mawjūdāt (Marvels of Things Created and Miraculous Aspects of Things Existing). The text is probably the best known example of ‘ajā’ib or ‘jā’ib al-makhlūqāt literature, a genre of classical Islamic literature that was concerned with “ mirabilia”: cosmographical and geographical topics that challenged understanding. Al-Qazwini’s treatise explored an eclectic mix of topics, from humans and their anatomy to strange mythical creatures; from plants and animals to constellations of stars and zodiacal signs. The treatise was extremely popular and was frequently illustrated over the centuries into both Persian and Turkish. The images featured here are from an exquisitely illustrated Persian translation, thought to hail from 17th-century Mughal India. . More at the US National Library of Medicine. Right, page from the manuscript for Blood and Guts in High School by Kathy Acker, 1983/1984. . More. More at The Kathy Acker Papers, 1972-1997 and undated.

I was intimidated by the high school boys at first. These were the truly bad influences, so said parents and administrators and cops. They mainly came from the low-income housing and trailer parks on the north and east sides of town, mostly white but some with Latinx and native backgrounds as well. Functional teen alcoholics, meth addicts, thugs, greasers, juggalos – the sorts that society deemed problems. But I wasn’t wholly out of place. In my autism I read as something like a store brand cola to a normal kid’s Coke: Similar in the big ways, just off in the details, enough to tell the difference.

John Thompson, from Special boys, for Mask Magazine, August 2017.

  |   URL:
Filed under:    
August 30, 2017

Left, installation view of Mark Leckey, He Thrusts his Fists against the Posts but Still Insists he Sees the Ghosts, 2017. On view at Statens Museum for Kunst, Copenhagen, May 4 – September 3, 2017. Via.

For the x-room venue Mark Leckey has recreated the bridge and ramps where he and his friends hung out in the early 1970s.

Right, photograph by Nick Knight, from the editorial with Alexander Mcqueen for Visionaire issue 20, 1997. . Watch the shoot.

Laura da Palma wears the Bellmer harness by Alexander Mcqueen from The La Poupee S/S 1997 collection. McQueen’s S/S 1997 collection was based upon the La Poupee sculptures and photographs by Hans Bellmer.

See also, An exhibition under the 6th Str. Bridge, Downtown Los Angeles, February 2012.

See also, .

  |   URL:
()
  
Filed under:   
August 29, 2017
Honcho MILF maons for aeons ago c item.. Alluring asian Christina Aguchi gets her juicy moist pussy stuffed with hard cock
‘It seemed to her that she, like most of her friends, had many shifting identities – or maybe none. Likewise, the idea of inventing a plot and creating relatable characters seemed absurd’. Inspired by her friend Eleanor Antin, as well as punk rock iconoclasm, Acker replaced such demands with her ‘appropriation’ technique, openly plagiarist, working ‘found’ text into searing, scathing prose that – for a while, at least – felt startlingly original.

Juliet Jacques, from After Kathy Acker - Chris Kraus’s biography of the first female ‘Great Writer as Countercultural Hero’, for Frieze, August 28, 2017.

  |   URL:
()
  
Filed under:  
August 28, 2017

Screen captures from Tie Me Up, Tie Me Down (Átame!), directed by Pedro Almodovar, 1989. .

  |   URL:
()
  
Filed under:  
August 28, 2017

Top, installation view of Keren Cytter, Une Forza cheviene dal Passat, 2016, on view at Shanaynay during the exhibition Europa, with Jaber Al Mahjoub, September 22 – October 15, 2016. Via. More. Bottom, photograph by Raul Ramos, This is I-45 near downtown Houston, August 2017. .

In “What Is it Like to Be a Bat?,” philosopher Thomas Nagel poses that consciousness and experience can not be described in materialist terms (i.e. through a complex network of physical connections and processes in the brain and body) an d any attempt to explain consciousness is objective. The example of a bat is used to define that biological sensory mechanisms such as echolocation and sonar vision are methods of perception for a bat, but not descriptive of a bat’s perspective. If we were to acquire such methods of perception, we would only be able to experience the life and behaviours of a bat and not the mindset. Only a chicken, born as a chicken,
knows what it is like to be a chicken.

Lucy Chinen. Via.

  |   URL:
()
  
Filed under:   
August 22, 2017

Top, Love and Anarchy, directed by Lina Wertmüller, 1973. Via. Bottom, If I can’t sleep at night is it because I am awake in someone else’s room?, directed by Fette Sans, 2017.

The uncertainty principle is certainly one of the most famous aspects of quantum mechanics. It has often been regarded as the most distinctive feature in which quantum mechanics differs from classical theories of the physical world. Roughly speaking, the uncertainty principle (for position and momentum) states that one cannot assign exact simultaneous values to the position and momentum of a physical system. Rather, these quantities can only be determined with som e characteristic “uncertainties” that cannot become arbitrarily small simultaneously. But what is the exact meaning of this principle, and indeed, is it really a principle of quantum mechanics? (In his original work, Heisenberg only speaks of uncertainty relations.) And, in particular, what does it mean to say that a quantity is determined only up to some uncertainty? These are the main questions we will explore in the following, focusing on the views of Heisenberg and Bohr.
The notion of “uncertainty” occurs in several different meanings in the physical literature. It may refer to a lack of knowledge of a quantity by an observer, or to the experimental inaccuracy with which a quantity is measured, or to some ambiguity in the definition of a quantity, or to a statistical spread in an ensemble of similarly prepared systems. Also, several different names are used for such uncertainties: inaccuracy, spread, imprecision, indefiniteness, indeterminateness, indete rminacy, latitude, etc. As we shall see, even Heisenberg and Bohr did not decide on a single terminology for quantum mechanical uncertainties. Forestalling a discussion about which name is the most appropriate one in quantum mechanics, we use the name “uncertainty principle” simply because it is the most common one in the literature.

Jan Hilgevoord, introduction to The Uncertainty Principle, First published Mon Oct 8, 2001; substantive revision Tue Jul 12, 2016. Stanford Encyclopedia of Philosophy.

  |   URL:
()
  
Filed under:       
August 11, 2017

Bendik Giske, Adjust, live at Lofthus Samvirkelag at Kunstnernes Hus in Oslo. November 26th 2016. Also on Soundcloud.

This haunting piece I heard two days ago in Wu Tsang, We hold where study, 2017, Two-channel HD video, stereo sound, 19 min. Her exhibition is on view at Kunsthalle Münster, until October 1st. If you happen to be there, go, and wrap yourself in their works. More.

  |   URL:
()
  
Filed under:  
August 7, 2017

Top, still from Cockatoo Mask (Kakadu-Maske), 1973, in Performances II, Rebecca Horn, 1972. .

A woman (possibly the artist) wears a mask consisting of two wings of white feathers which cover her face entirely. Another woman opens the mask and puts her face between the wings, which hug the back of her head, holding it inside in a close face-to-face proximity which remains hidden to the viewer. Via.

Bottom, Shana Moulton, installation view Every Bell Has Four Cells, 2016, from the exhibition Every Cell Is a Bell, 2016 at Kunsthaus Glarus. Photograph by Gunnar Meier. Via. More.

The titles of the work are quotes of personal accounts from Journeys into the Bright World, 1978, a book by Marcia Moore who chronicled her mind- and body-altering, therapeutical experiences with the drug ketamine. Via.

Alvin Lucier, I Am Sitting in a Room, 15:23 (1969, original recording). .

for voice and electromagnetic tape.

Necessary Equipment:

1 microphone 2 tape recorders amplifier 1 loudspeaker

Choose a room the musical qualities of which you would like to evoke.

Attach the microphone to the input of tape recorder #1.

To the output of tape recorder #2 attach the amplifier and loudspeaker.

Use the following text or any other text of any length:

I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any sem- blance of my speech, with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physi- cal fact, but more as a way to smooth out any irregularities my speech might have.

Record your voice on tape through the microphone attached to tape re- corder #1.

Rewind the tape to its beginning, transfer it to tape recorder #2, play it back into the room through the loudspeaker and record a second genera- tion of the original recorded statement through the microphone attached to tape recorder #1.

Rewind the second generation to its beginning and splice it onto the end of the original recorded statement on tape recorder #2.

Play the second generation only back into the room through the loud speakerand record a third generation of the original recorded statement through the microphone attached to tape recorder #1.

Continue this process through many generations.

All the generations spliced together in chronological order make a composition the length of which is determined by the length of original statement and the number of generations recorded.

The versions in which one recorded statement is recycled through many rooms.

Make versions using one or more speakers of different languages and in different rooms.

Make versions in which, for each generation, the microphone is moved to different parts of the room or rooms.

Make versions that can be performed in real time.

  |   URL:
()
  
Filed under:    
August 3, 2017

Top, The Japanese Museum of Rocks That Look Like Faces. . Via. Shot by Tsuji (?), 2013. Bottom, Fecal Matter, from the series Domestic Human, 2017, for .

But I am physically lonely; and intellectually I go elsewhere.

Anne Sexton, from a session tape w. Dr. Martin Orne, featured in Anne Sexton: A Biography, written by Diane Wood Middlebrook. .

  |   URL:
()
  
Filed under:   
August 1, 2017

Fette Sans, If I can’t sleep at night is it because I am awake in someone else’s room?, March 1 - August 1, 2017.

Five months in a hotel room. More, and more to come. For now, this is the end of this.

  |   URL:
()
  
Filed under:    
August 1, 2017
As Moreau walks alone through the lonely and architecturally oppressive streets of Milan, she seems not just to be thinking but to be thinking about thinking.

Richard Brody, from Postscript: Jeanne Moreau, a Grande Dame of the French New Wave, for the Ne Yorker, July 31, 2017

  |   URL:
()
  
Filed under:  
July 23, 2017

Top, photograph by Chris Steele-Perkins, Virtual reality display by Subaru, Tokyo, 1999. Via. More. Bottom, screen capture from Les cousins, directed by Claude Chabrol, 1959. .

How frequently do you look in the mirror? Does your face please you? Are you disgusted to detect familial features? Do you worship or hate your ancestors? Do you consider your image erotic? Do you pretend that you are a star’s child? If you squint, does your reflection become abstract? Is abstraction a transcendental escape from identity or a psychotic spasm of depersonalization?

Wayne Koestenbaum, from Figure, in My 1980s in Other Essays, 2013. . More.

There will soon be nothing more than self-communicating zombies, whose lone umbilical relay will be their own feedback image – electronic avatars of dead shadows perpetually retelling their own story.

Jean Buadrillard, from Telemorphosis, 2012. .

  |   URL:
()
  
Filed under: